Next week Tuesday (27 November) will mark the 1-month point since I decided to completely ditch Twitter from my daily routine. On Tuesday itself I’m likely to be very busy, but I wanted to take a moment to write some feedback on this experiment.
I can confidently say I don’t miss it one bit. The trade-off just wasn’t worth it: For every connection that was worthwhile, there were at least 20x more knee-jerk reactions and vapid hot takes, and 100x the volume of neurotic, click-bait psychic garbage swirling around a monetized trash compactor explicitly designed to make people feel angry. It felt like mental chemotherapy except it was also giving me cancer.
Twitter had basically become an abusive relationship. For the slim chance that something nice might happen, I was hanging on through torrents of garbage that made me jealous, depressed, despondent (specially the South African political feeds!), and ultimately self-destructive.
Granted, there are much better ways to use Twitter, and there are definite upsides to staying informed. Keeping abreast of major news stories is the easiest form of social currency there is, and it’s a great way to stay updated on interesting projects and useful tools. I was using it badly – as an actual social network.
Ben Hunt, A Game Of You
Even the rage engagement is not real rage. It’s a faux rage. No one writes a snarky reply to @realdonaldtrump because they’re really engaging with The Donald. No, they’re posting to their mirror engagement crew, who they know is also in a rage engagement with @realdonaldtrump. It’s not even virtue signaling. It’s pure entertainment. It’s a simulation where they can “engage” with the President of the United States in the company of their supportive mirror engagement crew. Plus dopamine!
Many months ago an old friend of mine asked me about my daily Twitter habit. He also has a Twitter account, but does maybe one post a month related to projects he works on. I explained that Twitter was becoming the national conversation platform – it was the place that journalists, newsmakers, political parties and influencers converged, and being part of that was probably a smarter move.
It turns out I was wrong, for the reasons so neatly encapsulated in A Game Of You. While there was real engagement (and real connections formed), so much more of the engagement on social media is effectively a simulation: Yes, you’re technically “engaging” with the accounts of notable people and organizations, but in reality your voice isn’t actually heard – and every post is just increasing the risk of damage.
It’s also increasingly performative. The US dealt with this years ago, and South Africa is just catching up to it now. Smart, unethical people have realized that the more outrageous shit you post, the further it circulates, the more it boosts your profile, and the greater opportunities it opens up for you. Yes, it comes at the cost of poisoning the well for everyone, but that’s a small price to pay for quasi-celebrity status.
Then there’s the short-term thinking effect, which has probably been the biggest learning for me over the last month. Twitter (or any fast-paced information environment) doesn’t so much inform you as constantly trick you into thinking you’re learning – but really its just reinforcing the stuff you already believe.
Since quitting I haven’t technically had more time to think, but I’ve been able to think through ideas that take a lot longer. Among them, I’ve been developing a sort of mini-philosophy for how I see the world (more a statement of principles and arguments at this point), and it was only after reasoning through lots of examples I came up with better explanations for things. Hot-take shitposting in humanity’s garbage compactor would have been of little help there.
(Core to that is measuring rules and behavior on a voluntary-coercive axis and balancing it for the maximum liberty of the individual, but that’s better suited for another post.)
Then there’s The Noscript Show! Every week, I co-host an hour-long livestream on which we just decompress and unpack the stuff going on in the world. On every successive episode we’ve improved on our production quality, while sticking to the principle that we script absolutely nothing on the show – and it’s a lot of fun to do.